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5 Frames… Of Redeye Redscale 200 on an Asahi Pentax Spotmatic SP 1000 + Sigma 28-80mm f/3.5~f/4.5

Wonderful color shifts of pink, orange, yellow and inexperienced all from one movie? Completely achievable with Redeye Redscale movie!

I visited RSPB Fairburn Ings, an ex-industrial website wealthy in heritage and now an necessary website for breeding and wintering geese, geese, and swans. Located within the North of England between Leeds, York, and Wakefield, it’s one in every of my favorite locations to go for a quiet, meditative stroll, and I slowly walked alongside the paths earlier this yr, respiration within the bracing Yorkshire air and listening to the wildfowl as they swam by means of the wetlands.

My digicam of selection on this outing was my late father’s favorite, an Asahi Pentax Spotmatic 1000. The lens is the one one I’ve for it, the lens my dad used on a regular basis, an M42-mount Sigma 28-80mm f/3.5-f/4.5.

Launched in February 2021, Redeye Redscale is a boutique, hand-spooled movie that’s nice enjoyable to shoot.

After years of respooling movie for private use, @toby-vandevelde launched his personal model of redscale movie in order that others may simply expertise the superb color shifts obtained from this experimental course of.

In manufacturing, the movie is loaded the wrong way up, and due to this fact again to entrance, with the red-sensitive layer of the movie being uncovered first. Toby has finished all of the fiddly bits for you, the canister is simply loaded into the digicam like some other 35mm movie.

You is likely to be fascinated about…

The movie’s field pace is 200 ISO however the perfect outcomes are achieved by overexposing the movie, something from +2 stops to +9 or much more! That is simply achievable on a digicam with handbook settings, by a mixture of reducing the ISO setting on the digicam, and utilizing the shutter pace and aperture to extend the quantity of sunshine hitting the movie.

As a common rule, overexposure of +2 stops provides robust contrasty reds, larger exposures burn by means of the pink layer and provides a muted yellowy-green classic really feel.

The movie is developed in regular C-41 chemical substances however you may also ask your lab to push the movie a couple of extra stops in growth in order for you much more dramatic shifts.

On this outing with the movie, I didn’t file my settings, however reasonably I needed to simply experiment with various exposures and focus on being extra spontaneous with my framing. I’d been fortunate sufficient to be a beta tester earlier than the movie went into manufacturing, and so I used to be accustomed to the vary of tones I’d get. I used to be eagerly anticipating the shock of seeing what color shifts I’d achieved! The model new lab at Analogue Wonderland did me proud and I used to be actually happy with my redscale movie.

The deep reds and oranges of the log pile got here out as a complete distinction to the brilliant yellow gate, and the pathway and views throughout the water have a muted retro really feel that I really like. I’m thrilled with the images that emerged, from a roll of 36 exposures I usually get only a few that I’m happy with, however with this movie I used to be arduous pushed simply to choose my favorite 5!

~ Hilary

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Concerning the creator

Based mostly within the North West of England, I am at all times curious concerning the world round me and I really like celebrating that curiosity by taking images. I get pleasure from different processes (I am a eager cyanotyper) and lately…

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